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CoNZealand - 78. SF WorldCon (29.07.-02.08.20) findet virtuell statt


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#1 Jordan

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Geschrieben 25 Mrz 2020 - 08:43

Heute morgen hat die Orga die Entscheidung bekannt gegeben, den/die Con in ein Online-Event umzuwandeln. Die entsprechende Meldung und weitergehende Informationen finden sich hier: https://conzealand.n...al-announcement



#2 quanat

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Geschrieben 25 Mrz 2020 - 08:52

Danke für den Hinweis, das ist doch eine spannende Entwicklung ins Zeitgemäße, das ist zu beobachten.

 

Daraus ließe sich ja auch für andere Conventions (z.B. den SFCD-Jahrescon 2020) sicher etwas lernen ...



#3 My.

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Geschrieben 25 Mrz 2020 - 10:37

Daraus ließe sich ja auch für andere Conventions (z.B. den SFCD-Jahrescon 2020) sicher etwas lernen ...

 

Das könntest du der Veranstalterin übermitteln. Kontaktdaten sind bekannt oder über sfcdcon.de ausfindig zu machen.

 

Die offizielle Verlautbarung übrigens:

 

 

[font="helvetica, sans-serif;"]CoNZealand is going virtual[/font]

[color=#202020;][font="helvetica, sans-serif;"]Media Release 
Date: March 25, 2020
CoNZealand, the 78th World Science Fiction Convention, Wellington, New Zealand
July 29 - August 2, 2020
Contact: press@conzealand.nz

CoNZealand, the 78th World Science Fiction Convention (Worldcon), will be making history, as it becomes the first ever †˜virtual Worldcon†™, CoNZealand Chairs, Kelly Buehler and Norman Cates announced today.

“This has been an incredibly difficult decision, but one that had to be made now to give our guests and members some certainty during this extraordinary time for the world.

“The changes are coming fast and furious as New Zealand enters a four week lockdown. We are all dealing with an unprecedented set of circumstances that make it very difficult to plan for the future.

“The strong belief that we can put on a great Worldcon has led us to the decision to make CoNZealand a virtual convention. Our Tech Division is confident they can deliver a virtual Worldcon and are excited about the possibilities,† they said.

Buehler and Cates noted that the con Committee considered three choices - to move the date of CoNZealand, to cancel it completely, or to make it virtual. Of the three, the last was deemed the option that provided the best certainty about what they can do while still having time to make plans. 

“We are standing by our decision not to cancel, but in consideration of the health, safety, and wellbeing of our members and crew, we think that holding a large face-to-face event (even if it were possible) would be irresponsible.†

Information has been posted on the CoNZealand website regarding hotel room cancellations. This will be updated as more information becomes available.

“As we have said before, please look after one another, and stay in touch. Especially when we are each isolated, it is good to be reminded that we are a community. We are together for a reason beyond Worldcon. We are fans. We are passionate. We love science fiction, fantasy, comics, art, worldbuilding, reading, writing and a million other things. Let†™s concentrate on being kind to one another and helping each other through a very difficult time,† they said.

[color=#007c89;]Read more on the CoNZealand website[/color][/color].[/font]

 

 

My.



#4 Nina

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Geschrieben 25 Mrz 2020 - 22:52

Kann es aber nicht ersetzen. Wirklich nicht. - Aber eine Worldcon ist halt leider ein Hotspot für Infektionskrankheiten. Ich habe mir auch damals in Finnland was Übles eingefangen - in Spokane in Amerika komischerweise nicht. 

Aber für eine deutsche Con finde ich es übertrieben, auch Sommertermine vorsorglich abzusagen. Und ja, es ist abgesagt. Die Verlagerung ins Virtuelle ist halt ein schwacher Trost, aber mehr auch nicht. 



#5 My.

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Geschrieben 04 April 2020 - 08:22

04.04.2020 01.13 Uhr

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[font="helvetica, sans-serif;"]Kiwi artists design Hugo Award bases[/font]

[color=#202020;][font="helvetica, sans-serif;"]Media Release 
Date: April 4, 2020
CoNZealand, the 78th World Science Fiction Convention
July 29 - August 2, 2020
Contact: [color=#007c89;]press@conzealand.nz[/color][/color]

CoNZealand, 78th Worldcon host, announced two New Zealand artists selected to create the bases for the 2020 Hugo Awards and the 1945 Retro Hugos.

The Hugo Awards are a major highlight of every Worldcon, recognising the best science fiction or fantasy works and achievements from the previous year. Each award features a metal rocket as the central element but the base design changes every year.

CoNZealand invited New Zealand-based artists to submit a base design. Five designers submitted excellent proposals, and two were selected to produce a base for the awards.

The 2020 Hugo Award base has been designed by John Flower. John has been working as an engraver for Trophy Specialists & Engraving in Palmerston North for the past 16 years. He has been a fan of science fiction since he was a wee lad when his father would tell him about the goings on in books by Asimov, Heinlein, and others and is chuffed to be part of recognising the talented people creating science fiction works today. 

“The trophy base was designed using open source software and hopefully it captures the sense of wonder of the sci-fi genre and the spirit of cooperation that is required to explore beyond the Earth,† said Flower.

The 1945 Retro Hugo Awards base has been designed by James Brown. Born in Christchurch but a long time resident of Auckland, James studied graphic design and illustration at Auckland University of Technology. He spent a decade working as a miniature painter and sculptor for a tabletop wargaming company, a role which allowed him to combine his love of tiny things with his interests in history and gaming. He also had a brief but very enjoyable stint painting film props at Weta Workshop.

“As a lifelong science fiction fan I attended different NatCons [New Zealand national conventions], but this year will be my first time participating in a Worldcon,† Brown said.

The Hugo nominations closed last month with 1584 people making a total of 27,033 nominations for the 2020 Hugo Awards, while 120 people submitted 1,677 nominations for the 1945 Retro Hugo Awards. The finalists will be announced on Tuesday, April 7 at 1pm PDT/4 pm EDT/9pm BST/8am Wednesday March 8, NZST. Information on how to watch the finalists announcement will be available on CoNZealand social media in the days to come.

[ENDS] [/font]

 

   

[color=#222222;][font="helvetica, sans-serif;"]The World Science Fiction Convention (Worldcon) is a five-day event that has been held annually since 1939 (apart from a four-year break during the Second World War). CoNZealand is the first online Worldcon's. For more information, see www.conzealand.nz

“World Science Fiction Society†, “WSFS†, “World Science Fiction Convention†, “Worldcon†, “NASFiC† “Hugo Award†, the Hugo Award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society.[/color][/font]

 

 

[color=#202020;][font="helvetica, sans-serif;"]Copyright © 2020 CoNZealand, All rights reserved.[/color][/font]
[color=#202020;][font="helvetica, sans-serif;"]You are receiving this email because we believe you are a member of the press, and may be interested in this information.

[font="helvetica, sans-serif;"]Our mailing address is:[/color][/font][/font]

[color=#202020;][font="helvetica, sans-serif;"]CoNZealand[/color][/font]

[color=#202020;][font="helvetica, sans-serif;"]PO Box 15483[/color][/font]

[color=#202020;][font="helvetica, sans-serif;"]Miramar[/color][/font]

[color=#202020;][font="helvetica, sans-serif;"]Wellington[/color][/font][color=#202020;][font="helvetica, sans-serif;"], 6243[/color] [/font]

[color=#202020;][font="helvetica, sans-serif;"]New Zealand[/color][/font]

[color=#202020;][font="helvetica, sans-serif;"][color=#202020;]Add us to your address book[/color][/color][/font]

 

 

 
My.

Bearbeitet von My., 04 April 2020 - 08:22.


#6 ThK

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Geschrieben 05 April 2020 - 13:28

Die Unterscheidung online und virtuell fällt vielen schwer. Hilfestellung:

 

 

Eingefügtes Bild



#7 Jordan

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Geschrieben 07 April 2020 - 07:26

Wobei z.B. der Begriff Virtuelles Klasenzimmer, der ja im Moment durch alle Medien geistert, auch nicht bedeutet, dass der Unterricht nun in einer speziell erstellten Virtual Reality Umgebung stattfindet. Sondern einfach nur, dass sich alle Teilnehmer zeitgleich am selben, aber eben nicht realen sondern virtuellen Ort zusammenfinden und dort miteinander kommunizieren können. Hat aber per se nix mit VR zu tun, wenn ich das richtig verstehe.

 

Anyway: Die Finalisten für den diesjährigen Hugo werden morgen, am 8. April, bekannt gegeben. Das ganze wird u.a. per Livestream über YouTube und Facebook ausgestrahlt:

https://www.youtube....b69ee-354221813

 

https://www.facebook...b69ee-354221813

 

Die Sendung beginnt um 8 Uhr morgens Neuseelandzeit, das ist 9 Uhr abends BST (British Summer Time) und damit hierzulande eine Stunde früher, also 8 Uhr abends. Im letzten Jahr war die Finalisten-Verkündung mit einer Führung durch Dublins Sehenswürdigkeiten verknüpft, vor denen die diversen Helfer die Finalisten bekannt gaben. Mal sehen, was sich die Macher diesmal ausgedacht haben. Ich erwarte mindestens einen Hobbit, gern auch virtuell ...



#8 Jordan

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Geschrieben 07 April 2020 - 20:35

Wer lesen kann, ist klar im Vorteil :blush: Die Hugo-Finalisten Bekanntgabe ist nicht morgen, sondern heute. Und auch nicht um 20.00 sondern um 22.00 Uhr, also in knapp einer halben Stunde. Verfluchte Zeitzonen. Na hoffentlich stimmt wenigstens der Rest, nicht dass da die Man Booker oder so angesagt werden :P



#9 My.

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Geschrieben 08 April 2020 - 05:35

07.04.2020 22.36 Uhr

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[font="helvetica, sans-serif;"]Hugo and Retro Hugo finalists announced[/font]

 

[color=#202020;][font="helvetica, sans-serif;"]Media Release 
Date: April 8, 2020
CoNZealand, the 78th World Science Fiction Convention
July 29 - August 2, 2020
Contact: press@conzealand.nz

CoNZealand, the 78th World Science Fiction Convention, has announced the finalists for the 2020 Hugo Awards, Lodestar and Astounding Awards and the 1945 Retro Hugo Awards.

First presented in 1953, the Hugo Awards are the longest-running fan-voted awards in science fiction and fantasy. They recognise both professionals and fans, honouring written fiction and dramatic presentations, artists, editors and others.

The video announcing the finalists is available for viewing on the [color=#007c89;]CoNZealand YouTube channel[/color][/color].

“Congratulations to all those announced today. Being a finalist for a Hugo Award signifies the high esteem in which the fan community holds your work. Getting to this stage is a huge achievement,† said CoNZealand Co-Chairs Norman Cates and Kelly Buehler.

Nominations for the 2020 and 1945 Hugo Awards were submitted by the members of CoNZealand, the 78th Worldcon, and Dublin 2019: An Irish Worldcon. 1,584 people submitted 27,033 nominations for the 2020 Hugo Awards, and 120 people submitted 1,677 nominations for the 1945 Retrospective Hugo Awards. 

Only CoNZealand members will be able to vote on the final ballot and choose the winners. You can still purchase a Supporting Membership on the CoNZealand website to be eligible to vote. Information on how to submit a voting ballot is available [color=#007c89;]here[/color][/font].

The awards will be presented at CoNZealand which will now run online from 29 July to 2 August 2020. These will be the first Hugo Awards in history to be presented in this format. More details will follow soon.

Please direct any questions about the administration of the 2020 and 1945 Hugo Awards to the CoNZealand Hugo Award Administrators at [color=#007c89;]hugohelp@conzealand.nz[/color]


[font="helvetica, sans-serif;"]Hugo Awards 2020: Final Ballot[/font]

Best Novel

  • [font="helvetica, sans-serif;"]The City in the Middle of the Night, by Charlie Jane Anders (Tor; Titan)[/font]
  • [font="helvetica, sans-serif;"]Gideon the Ninth, by Tamsyn Muir (Tor.com Publishing)[/font]
  • [font="helvetica, sans-serif;"]The Light Brigade, by Kameron Hurley (Saga; Angry Robot UK)[/font]
  • [font="helvetica, sans-serif;"]A Memory Called Empire, by Arkady Martine (Tor; Tor UK)[/font]
  • [font="helvetica, sans-serif;"]Middlegame, by Seanan McGuire (Tor.com Publishing)[/font]
  • [font="helvetica, sans-serif;"]The Ten Thousand Doors of January, by Alix E. Harrow (Redhook; Orbit UK)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Novella  [/color][/font]

  • [font="helvetica, sans-serif;"]“Anxiety Is the Dizziness of Freedom†, by Ted Chiang (Exhalation (Borzoi/Alfred A. Knopf; Picador))[/font]
  • [font="helvetica, sans-serif;"]The Deep, by Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes (Saga Press/Gallery)[/font]
  • [font="helvetica, sans-serif;"]The Haunting of Tram Car 015, by P. Djèlí Clark (Tor.com Publishing)[/font]
  • [font="helvetica, sans-serif;"]In an Absent Dream, by Seanan McGuire (Tor.com Publishing)[/font]
  • [font="helvetica, sans-serif;"]This Is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone (Saga Press; Jo Fletcher Books)[/font]
  • [font="helvetica, sans-serif;"]To Be Taught, If Fortunate, by Becky Chambers (Harper Voyager; Hodder & Stoughton)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Novelette  [/color][/font]

  • [font="helvetica, sans-serif;"]“The Archronology of Love†, by Caroline M. Yoachim (Lightspeed, April 2019)[/font]
  • [font="helvetica, sans-serif;"]“Away With the Wolves†, by Sarah Gailey (Uncanny Magazine: Disabled People Destroy Fantasy Special Issue, September/October 2019)[/font]
  • [font="helvetica, sans-serif;"]“The Blur in the Corner of Your Eye†, by Sarah Pinsker (Uncanny Magazine, July-August 2019)[/font]
  • [font="helvetica, sans-serif;"]Emergency Skin, by N.K. Jemisin (Forward Collection (Amazon))[/font]
  • [font="helvetica, sans-serif;"]“For He Can Creep†, by Siobhan Carroll (Tor.com, 10 July 2019)[/font]
  • [font="helvetica, sans-serif;"]“Omphalos†, by Ted Chiang (Exhalation (Borzoi/Alfred A. Knopf; Picador))[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Short Story  [/color][/font]

  • [font="helvetica, sans-serif;"]“And Now His Lordship Is Laughing†, by Shiv Ramdas (Strange Horizons, 9 September 2019)[/font]
  • [font="helvetica, sans-serif;"]“As the Last I May Know†, by S.L. Huang (Tor.com, 23 October 2019)[/font]
  • [font="helvetica, sans-serif;"]“Blood Is Another Word for Hunger†, by Rivers Solomon (Tor.com, 24 July 2019)[/font]
  • [font="helvetica, sans-serif;"]“A Catalog of Storms†, by Fran Wilde (Uncanny Magazine, January/February 2019)[/font]
  • [font="helvetica, sans-serif;"]“Do Not Look Back, My Lion†, by Alix E. Harrow (Beneath Ceaseless Skies, January 2019)[/font]
  • [font="helvetica, sans-serif;"]“Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island†, by Nibedita Sen (Nightmare Magazine, May 2019)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Series  [/color][/font]

  • [font="helvetica, sans-serif;"]The Expanse, by James S. A. Corey (Orbit US; Orbit UK)[/font]
  • [font="helvetica, sans-serif;"]InCryptid, by Seanan McGuire (DAW)[/font]
  • [font="helvetica, sans-serif;"]Luna, by Ian McDonald (Tor; Gollancz)[/font]
  • [font="helvetica, sans-serif;"]Planetfall series, by Emma Newman (Ace; Gollancz)[/font]
  • [font="helvetica, sans-serif;"]Winternight Trilogy, by Katherine Arden (Del Rey; Del Rey UK)[/font]
  • [font="helvetica, sans-serif;"]Wormwood, by Tade Thompson (Orbit US; Orbit UK)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Related Work  [/color][/font]

  • [font="helvetica, sans-serif;"]Becoming Superman: My Journey from Poverty to Hollywood, by J. Michael Straczynski (Harper Voyager US)[/font]
  • [font="helvetica, sans-serif;"]Joanna Russ, by Gwyneth Jones (University of Illinois Press (Modern Masters of Science Fiction))[/font]
  • [font="helvetica, sans-serif;"]The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O'Meara (Hanover Square)[/font]
  • [font="helvetica, sans-serif;"]The Pleasant Profession of Robert A. Heinlein, by Farah Mendlesohn (Unbound)[/font]
  • [font="helvetica, sans-serif;"]“2019 John W. Campbell Award Acceptance Speech†, by Jeannette Ng[/font]
  • [font="helvetica, sans-serif;"]Worlds of Ursula K. Le Guin, produced and directed by Arwen Curry[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Graphic Story or Comic  [/color][/font]

  • [font="helvetica, sans-serif;"]Die, Volume 1: Fantasy Heartbreaker, by Kieron Gillen and Stephanie Hans, letters by Clayton Cowles (Image)[/font]
  • [font="helvetica, sans-serif;"]LaGuardia, written by Nnedi Okorafor, art by Tana Ford, colours by James Devlin (Berger Books; Dark Horse)[/font]
  • [font="helvetica, sans-serif;"]Monstress, Volume 4: The Chosen, written by Marjorie Liu, art by Sana Takeda (Image)[/font]
  • [font="helvetica, sans-serif;"]Mooncakes, by Wendy Xu and Suzanne Walker, letters by Joamette Gil (Oni Press; Lion Forge)[/font]
  • [font="helvetica, sans-serif;"]Paper Girls, Volume 6, written by Brian K. Vaughan, drawn by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image)[/font]
  • [font="helvetica, sans-serif;"]The Wicked + The Divine, Volume 9: Okay, by Kieron Gillen and Jamie McKelvie, colours by Matt Wilson, letters by Clayton Cowles (Image)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Dramatic Presentation, Long Form  [/color][/font]

  • [font="helvetica, sans-serif;"]Avengers: Endgame, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)[/font]
  • [font="helvetica, sans-serif;"]Captain Marvel, screenplay by Anna Boden, Ryan Fleck and Geneva Robertson-Dworet, directed by Anna Boden and Ryan Fleck (Walt Disney Pictures/Marvel Studios/Animal Logic (Australia))[/font]
  • [font="helvetica, sans-serif;"]Good Omens, written by Neil Gaiman, directed by Douglas McKinnon (Amazon Studios/BBC Studios/Narrativia/The Blank Corporation)[/font]
  • [font="helvetica, sans-serif;"]Russian Doll (Season One), created by Natasha Lyonne, Leslye Headland and Amy Poehler, directed by Leslye Headland, Jamie Babbit and Natasha Lyonne (3 Arts Entertainment/Jax Media/Netflix/Paper Kite Productions/Universal Television)[/font]
  • [font="helvetica, sans-serif;"]Star Wars: The Rise of Skywalker, screenplay by Chris Terrio and J.J. Abrams, directed by J.J. Abrams (Walt Disney Pictures/Lucasfilm/Bad Robot)[/font]
  • [font="helvetica, sans-serif;"]Us, written and directed by Jordan Peele (Monkeypaw Productions/Universal Pictures)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Dramatic Presentation, Short Form  [/color][/font]

  • [font="helvetica, sans-serif;"]The Good Place: "The Answer", written by Daniel Schofield, directed by Valeria Migliassi Collins (Fremulon/3 Arts Entertainment/Universal Television)[/font]
  • [font="helvetica, sans-serif;"]The Expanse: "Cibola Burn", written by Daniel Abraham & Ty Franck and Naren Shankar, directed by Breck Eisner (Amazon Prime Video)[/font]
  • [font="helvetica, sans-serif;"]Watchmen: "A God Walks into Abar", written by Jeff Jensen and Damon Lindelof, directed by Nicole Kassell (HBO)[/font]
  • [font="helvetica, sans-serif;"]The Mandalorian: "Redemption", written by Jon Favreau, directed by Taika Waititi (Disney+)[/font]
  • [font="helvetica, sans-serif;"]Doctor Who: “Resolution†, written by Chris Chibnall, directed by Wayne Yip (BBC)[/font]
  • [font="helvetica, sans-serif;"]Watchmen: "This Extraordinary Being", written by Damon Lindelof and Cord Jefferson, directed by Stephen Williams (HBO)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Editor, Short Form  [/color][/font]

  • [font="helvetica, sans-serif;"]Neil Clarke[/font]
  • [font="helvetica, sans-serif;"]Ellen Datlow[/font]
  • [font="helvetica, sans-serif;"]C.C. Finlay[/font]
  • [font="helvetica, sans-serif;"]Jonathan Strahan[/font]
  • [font="helvetica, sans-serif;"]Lynne M. Thomas and Michael Damian Thomas[/font]
  • [font="helvetica, sans-serif;"]Sheila Williams[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Editor, Long Form  [/color][/font]

  • [font="helvetica, sans-serif;"]Sheila E. Gilbert[/font]
  • [font="helvetica, sans-serif;"]Brit Hvide[/font]
  • [font="helvetica, sans-serif;"]Diana M. Pho[/font]
  • [font="helvetica, sans-serif;"]Devi Pillai[/font]
  • [font="helvetica, sans-serif;"]Miriam Weinberg[/font]
  • [font="helvetica, sans-serif;"]Navah Wolfe[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Professional Artist  [/color][/font]

  • [font="helvetica, sans-serif;"]Tommy Arnold[/font]
  • [font="helvetica, sans-serif;"]Rovina Cai[/font]
  • [font="helvetica, sans-serif;"]Galen Dara[/font]
  • [font="helvetica, sans-serif;"]John Picacio[/font]
  • [font="helvetica, sans-serif;"]Yuko Shimizu[/font]
  • [font="helvetica, sans-serif;"]Alyssa Winans[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Semiprozine  [/color][/font]

  • [font="helvetica, sans-serif;"]Beneath Ceaseless Skies, editor Scott H. Andrews[/font]
  • [font="helvetica, sans-serif;"]Escape Pod, editors Mur Lafferty and S.B. Divya, assistant editor Benjamin C. Kinney, audio producers Adam Pracht and Summer Brooks, hosts Tina Connolly and Alasdair Stuart[/font]
  • [font="helvetica, sans-serif;"]Fireside Magazine, editor Julia Rios, managing editor Elsa Sjunneson, copyeditor Chelle Parker, social coordinator Meg Frank, publisher & art director Pablo Defendini, founding editor Brian White[/font]
  • [font="helvetica, sans-serif;"]FIYAH Magazine of Black Speculative Fiction, executive editor Troy L. Wiggins, editors Eboni Dunbar, Brent Lambert, L.D. Lewis, Danny Lore, Brandon O'Brien and Kaleb Russell[/font]
  • [font="helvetica, sans-serif;"]Strange Horizons, Vanessa Rose Phin, Catherine Krahe, AJ Odasso, Dan Hartland, Joyce Chng, Dante Luiz and the Strange Horizons staff [/font]
  • [font="helvetica, sans-serif;"]Uncanny Magazine, editors-in-chief Lynne M. Thomas and Michael Damian Thomas, nonfiction/managing editor Michi Trota, managing editor Chimedum Ohaegbu, podcast producers Erika Ensign and Steven Schapansky[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Fanzine  [/color][/font]

  • [font="helvetica, sans-serif;"]The Book Smugglers, editors Ana Grilo and Thea James [/font]
  • [font="helvetica, sans-serif;"]Galactic Journey, founder Gideon Marcus, editor Janice Marcus, senior writers Rosemary Benton, Lorelei Marcus and Victoria Silverwolf[/font]
  • [font="helvetica, sans-serif;"]Journey Planet, editors James Bacon, Christopher J Garcia, Alissa McKersie, Ann Gry, Chuck Serface, John Coxon and Steven H Silver[/font]
  • [font="helvetica, sans-serif;"]nerds of a feather, flock together, editors Adri Joy, Joe Sherry, Vance Kotrla, and The G[/font]
  • [font="helvetica, sans-serif;"]Quick Sip Reviews, editor Charles Payseur[/font]
  • [font="helvetica, sans-serif;"]The Rec Center, editors Elizabeth Minkel and Gavia Baker-Whitelaw[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Fancast  [/color][/font]

  • [font="helvetica, sans-serif;"]Be The Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace[/font]
  • [font="helvetica, sans-serif;"]Claire Rousseau†™s YouTube channel, produced & presented by Claire Rousseau[/font]
  • [font="helvetica, sans-serif;"]The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe[/font]
  • [font="helvetica, sans-serif;"]Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts, producer Andrew Finch[/font]
  • [font="helvetica, sans-serif;"]Our Opinions Are Correct, presented by Annalee Newitz and Charlie Jane Anders[/font]
  • [font="helvetica, sans-serif;"]The Skiffy and Fanty Show, presented by Jen Zink and Shaun Duke[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Fan Writer  [/color][/font]

  • [font="helvetica, sans-serif;"]Cora Buhlert[/font]
  • [font="helvetica, sans-serif;"]James Davis Nicoll[/font]
  • [font="helvetica, sans-serif;"]Alasdair Stuart[/font]
  • [font="helvetica, sans-serif;"]Bogi Takács[/font]
  • [font="helvetica, sans-serif;"]Paul Weimer[/font]
  • [font="helvetica, sans-serif;"]Adam Whitehead[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Fan Artist  [/color][/font]

  • [font="helvetica, sans-serif;"]Iain Clark[/font]
  • [font="helvetica, sans-serif;"]Sara Felix[/font]
  • [font="helvetica, sans-serif;"]Grace P. Fong[/font]
  • [font="helvetica, sans-serif;"]Meg Frank[/font]
  • [font="helvetica, sans-serif;"]Ariela Housman[/font]
  • [font="helvetica, sans-serif;"]Elise Matthesen[/font]

[color=#202020;][font="helvetica, sans-serif;"]Lodestar Award for Best Young Adult Book (not a Hugo) [/color][/font]

  • [font="helvetica, sans-serif;"]Catfishing on CatNet, by Naomi Kritzer (Tor Teen)[/font]
  • [font="helvetica, sans-serif;"]Deeplight, by Frances Hardinge (Macmillan)[/font]
  • [font="helvetica, sans-serif;"]Dragon Pearl, by Yoon Ha Lee (Disney/Hyperion)[/font]
  • [font="helvetica, sans-serif;"]Minor Mage, by T. Kingfisher (Argyll)[/font]
  • [font="helvetica, sans-serif;"]Riverland, by Fran Wilde (Amulet)[/font]
  • [font="helvetica, sans-serif;"]The Wicked King, by Holly Black (Little, Brown; Hot Key)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Astounding Award for Best New Writer, sponsored by Dell Magazines (not a Hugo) [/color][/font]

  • [font="helvetica, sans-serif;"]Sam Hawke (2nd year of eligibility) [/font]
  • [font="helvetica, sans-serif;"]R.F. Kuang (2nd year of eligibility)[/font]
  • [font="helvetica, sans-serif;"]Jenn Lyons (1st year of eligibility)[/font]
  • [font="helvetica, sans-serif;"]Nibedita Sen (2nd year of eligibility)[/font]
  • [font="helvetica, sans-serif;"]Tasha Suri (2nd year of eligibility)[/font]
  • [font="helvetica, sans-serif;"]Emily Tesh (1st year of eligibility)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Retro Hugo Awards 1945: Final Ballot[/color][/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Novel [/color][/font]

  • [font="helvetica, sans-serif;"]The Golden Fleece, by Robert Graves (Cassell)[/font]
  • [font="helvetica, sans-serif;"]Land of Terror, by Edgar Rice Burroughs (Edgar Rice Burroughs, Inc.)[/font]
  • [font="helvetica, sans-serif;"]“Shadow Over Mars† (The Nemesis from Terra), by Leigh Brackett (Startling Stories, Fall 1944)[/font]
  • [font="helvetica, sans-serif;"]Sirius: A Fantasy of Love and Discord, by Olaf Stapledon (Secker & Warburg)[/font]
  • [font="helvetica, sans-serif;"]The Wind on the Moon, by Eric Linklater (Macmillan)[/font]
  • [font="helvetica, sans-serif;"]“The Winged Man†, by A.E. van Vogt and E. Mayne Hull (Astounding Science Fiction, May-June 1944)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Novella [/color][/font]

  • [font="helvetica, sans-serif;"]“The Changeling†, by A.E. van Vogt (Astounding Science Fiction, April 1944)[/font]
  • [font="helvetica, sans-serif;"]“A God Named Kroo†, by Henry Kuttner (Thrilling Wonder Stories, Winter 1944)[/font]
  • [font="helvetica, sans-serif;"]“Intruders from the Stars†, by Ross Rocklynne (Amazing Stories, January 1944)[/font]
  • [font="helvetica, sans-serif;"]“The Jewel of Bas†, by Leigh Brackett (Planet Stories, Spring 1944)[/font]
  • [font="helvetica, sans-serif;"]“Killdozer!†, by Theodore Sturgeon (Astounding Science Fiction, November 1944)[/font]
  • [font="helvetica, sans-serif;"]“Trog†, by Murray Leinster (Astounding Science Fiction, June 1944)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Novelette [/color][/font]

  • [font="helvetica, sans-serif;"]“Arena†, by Fredric Brown (Astounding Science Fiction, June 1944)[/font]
  • [font="helvetica, sans-serif;"]“The Big and the Little† (“The Merchant Princes†), by Isaac Asimov (Astounding Science Fiction, August 1944)[/font]
  • [font="helvetica, sans-serif;"]“The Children's Hour†, by Lawrence O'Donnell (C.L. Moore and Henry Kuttner) (Astounding Science Fiction, March 1944)[/font]
  • [font="helvetica, sans-serif;"]“City†, by Clifford D. Simak (Astounding Science Fiction, May 1944)[/font]
  • [font="helvetica, sans-serif;"]“No Woman Born†, by C.L. Moore (Astounding Science Fiction, December 1944)[/font]
  • [font="helvetica, sans-serif;"]“When the Bough Breaks†, by Lewis Padgett (C.L. Moore and Henry Kuttner) (Astounding Science Fiction, November 1944)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Short Story [/color][/font]

  • [font="helvetica, sans-serif;"]“And the Gods Laughed†, by Fredric Brown (Planet Stories, Spring 1944)[/font]
  • [font="helvetica, sans-serif;"]“Desertion†, by Clifford D. Simak (Astounding Science Fiction, November 1944)[/font]
  • [font="helvetica, sans-serif;"]“Far Centaurus†, by A. E. van Vogt (Astounding Science Fiction, January 1944)[/font]
  • [font="helvetica, sans-serif;"]“Huddling Place†, by Clifford D. Simak (Astounding Science Fiction, July 1944)[/font]
  • [font="helvetica, sans-serif;"]“I, Rocket†, by Ray Bradbury (Amazing Stories, May 1944)[/font]
  • [font="helvetica, sans-serif;"]“The Wedge† (“The Traders†), by Isaac Asimov (Astounding Science Fiction, October 1944)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Series [/color][/font]

  • [font="helvetica, sans-serif;"]Captain Future, by Brett Sterling[/font]
  • [font="helvetica, sans-serif;"]The Cthulhu Mythos, by H. P. Lovecraft, August Derleth, and others[/font]
  • [font="helvetica, sans-serif;"]Doc Savage, by Kenneth Robeson/Lester Dent[/font]
  • [font="helvetica, sans-serif;"]Jules de Grandin, by Seabury Quinn[/font]
  • [font="helvetica, sans-serif;"]Pellucidar, by Edgar Rice Burroughs[/font]
  • [font="helvetica, sans-serif;"]The Shadow, by Maxwell Grant (Walter B. Gibson)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Related Work [/color][/font]

  • [font="helvetica, sans-serif;"]Fancyclopedia, by Jack Speer (Forrest J. Ackerman)[/font]
  • [font="helvetica, sans-serif;"]†™42 To †™44: A Contemporary Memoir Upon Human Behavior During the Crisis of the World Revolution, by H.G. Wells (Secker & Warburg)[/font]
  • [font="helvetica, sans-serif;"]Mr. Tompkins Explores the Atom, by George Gamow (Cambridge University Press)[/font]
  • [font="helvetica, sans-serif;"]Rockets: The Future of Travel Beyond the Stratosphere, by Willy Ley (Viking Press)[/font]
  • [font="helvetica, sans-serif;"]“The Science-Fiction Field†, by Leigh Brackett (Writer's Digest, July 1944)[/font]
  • [font="helvetica, sans-serif;"]“The Works of H.P. Lovecraft: Suggestions for a Critical Appraisal†, by Fritz Leiber (The Acolyte, Fall 1944)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Graphic Story or Comic [/color][/font]

  • [font="helvetica, sans-serif;"]Buck Rogers: “Hollow Planetoid†, by Dick Calkins (National Newspaper Service)[/font]
  • [font="helvetica, sans-serif;"]Donald Duck: “The Mad Chemist†, by Carl Barks (Dell Comics)[/font]
  • [font="helvetica, sans-serif;"]Flash Gordon: “Battle for Tropica†, by Alex Raymond (King Features Syndicate)[/font]
  • [font="helvetica, sans-serif;"]Flash Gordon: “Triumph in Tropica†, by Alex Raymond (King Features Syndicate)[/font]
  • [font="helvetica, sans-serif;"]The Spirit: “For the Love of Clara Defoe†, by Manly Wade Wellman, Lou Fine and Don Komisarow (Register and Tribune Syndicate)[/font]
  • [font="helvetica, sans-serif;"]Superman: “The Mysterious Mr. Mxyztplk†, by Jerry Siegel and Joe Shuster (Detective Comics, Inc.)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Dramatic Presentation, Short Form [/color][/font]

  • [font="helvetica, sans-serif;"]The Canterville Ghost, screenplay by Edwin Harvey Blum from a story by Oscar Wilde, directed by Jules Dassin (Metro-Goldwyn-Mayer (MGM))[/font]
  • [font="helvetica, sans-serif;"]The Curse of the Cat People, written by DeWitt Bodeen, directed by Gunther V. Fritsch and Robert Wise (RKO Radio Pictures)[/font]
  • [font="helvetica, sans-serif;"]Donovan's Brain, adapted by Robert L. Richards from a story by Curt Siodmak, producer, director and editor William Spier (CBS Radio Network)[/font]
  • [font="helvetica, sans-serif;"]House of Frankenstein, screenplay by Edward T. Lowe, Jr. from a story by Curt Siodmak, directed by Erle C. Kenton (Universal Pictures)[/font]
  • [font="helvetica, sans-serif;"]The Invisible Man's Revenge, written by Bertram Millhauser, directed by Ford Beebe (Universal Pictures)[/font]
  • [font="helvetica, sans-serif;"]It Happened Tomorrow, screenplay and adaptation by Dudley Nichols and René Clair, directed by René Clair (Arnold Pressburger Films)[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Editor, Short Form [/color][/font]

  • [font="helvetica, sans-serif;"]John W. Campbell, Jr.[/font]
  • [font="helvetica, sans-serif;"]Oscar J. Friend[/font]
  • [font="helvetica, sans-serif;"]Mary Gnaedinger[/font]
  • [font="helvetica, sans-serif;"]Dorothy McIlwraith[/font]
  • [font="helvetica, sans-serif;"]Raymond A. Palmer[/font]
  • [font="helvetica, sans-serif;"]W. Scott Peacock[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Professional Artist [/color][/font]

  • [font="helvetica, sans-serif;"]Earle Bergey[/font]
  • [font="helvetica, sans-serif;"]Margaret Brundage[/font]
  • [font="helvetica, sans-serif;"]Boris Dolgov[/font]
  • [font="helvetica, sans-serif;"]Matt Fox[/font]
  • [font="helvetica, sans-serif;"]Paul Orban[/font]
  • [font="helvetica, sans-serif;"]William Timmins[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Fanzine [/color][/font]

  • [font="helvetica, sans-serif;"]The Acolyte, edited by Francis T. Laney and Samuel D. Russell[/font]
  • [font="helvetica, sans-serif;"]Diablerie, edited by Bill Watson[/font]
  • [font="helvetica, sans-serif;"]Futurian War Digest, edited by J. Michael Rosenblum[/font]
  • [font="helvetica, sans-serif;"]Shangri L'Affaires, edited by Charles Burbee [/font]
  • [font="helvetica, sans-serif;"]Voice of the Imagi-Nation, edited by Forrest J. Ackerman and Myrtle R. Douglas[/font]
  • [font="helvetica, sans-serif;"]Le Zombie, edited by Bob Tucker and E.E. Evans[/font]

[color=#202020;][font="helvetica, sans-serif;"]Best Fan Writer [/color][/font]

  • [font="helvetica, sans-serif;"]Fritz Leiber[/font]
  • [font="helvetica, sans-serif;"]Morojo/Myrtle R. Douglas[/font]
  • [font="helvetica, sans-serif;"]J. Michael Rosenblum[/font]
  • [font="helvetica, sans-serif;"]Jack Speer[/font]
  • [font="helvetica, sans-serif;"]Bob Tucker[/font]
  • [font="helvetica, sans-serif;"]Harry Warner, Jr.[/font]

[color=#202020;][font="helvetica, sans-serif;"][ENDS] [/color][/font]

 


My.


#10 My.

My.

    Temponaut

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Geschrieben 08 April 2020 - 05:39

Da es mir thematisch sinnvoller erschien, habe ich die Hugos in einen eigenen Thread gestellt:

http://www.scifinet....20-hugo-awards/

Da lässt sich dann leichter diskutieren.

 

My.




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